Category Archives: co-creation

10 Quotes from the big world of music – Music Thinking Quotes Vol. 1

For quite some time I am collecting quotes that have a connection with what I call Music Thinking (more about Music Thinking click here). At the same time I am working on a more systematic way to collect and combine music thinking principles. I am working now with 6 principles of music thinking: agility, empathy, personality, jammin’, score and remix. More about that in a later post.

Here are 10 quotes of more or less famous people with a music thinking connection. Hope you like it.

Dance first. Think later.  It's the natural order. One chord is fine. Two chords are pushing it. Three chords and you're into jazz. If you aren't making a mistake, it's a mistake. I HAVEN’T UNDERSTOOD A BAR OF MUSIC IN MY LIFE, BUT I HAVE FELT IT. THE WORDS ARE THE IMPORTANT THING. DON’T WORRY ABOUT TUNES. TAKE A TUNE, SING HIGH WHEN THEY SING LOW, SING FAST WHEN THEY SING SLOW, AND YOU’VE GOT A NEW TUNE. ONE GOOD THING ABOUT MUSIC, WHEN IT HITS YOU, YOU FEEL NO PAIN. Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. I prepare myself for rehearsals like I would for marriage. The best guide, in launching a new design project, is sometimes just to choose the right partner, clear the dancefloor, and trust our intuition. There is joy in repetition.

 

 

You can also find the presentation on SlideShare (download enabled).

Creativity & Business Convention with New Job Circus

From 20th tot 22nd June there will be the Creativity & Business Convention in Cologne, Germany. The C’n’B (#cnb12) is organized in combination with the c/o Pop Festival – a nice combination of creativity, business and music.

I am happy to take part in the New Job Circus (initiated by Peter Schreck and Holger Nils Pohl) to present my concept of CREATIVE COMPANION and Music Thinking.

CREATIVE COMPANION

About New Job Circus

The world of work is changing fast. Temporary project-based collaboration with freelancers and specialist micro-companies is absolutely standard in the agency world and becoming increasingly common for companies too.

Against a background of digitalisation and other developments, we are interested in innovative and intelligent specializations, new niche services and “jobs 2.0”. The New Job Circus programme of presentations, discussions and workshops is designed to trigger an open dialogue between “small” and “large” organisations. One ring, 10 winning micro-companies, ample knowledge transfer and a myriad of networking opportunities.

The Circus is geared towards generating responses and solutions to the following questions:

1. What new job profiles are currently emerging in the freelance/micro-company market?

2. What new job profiles will agencies and companies be looking for in the future?

3. What kind of interfaces and processes will be needed to bring together knowledge, supply and demand and build up an infrastructure to support partnerships and collaboration?

Short presentation (german)

All snapshots from 2011 – Music Thinking Weekly

This is the snapshot archive from every week of 2011 of ‘Music Thinking Weekly’.
It’s easy to browse all the weeks including all the articles posted with the hashtag #musicthinking via @MusicThinking
More info on Music Thinking: www.musicthinking.com

Co-creation, inspiration and the Global Jukebox

Can folk music be a model for setting up a co-creation culture?

In his book We-think: The power of mass creativity the author Charles Leadbeater is talking about a relation of co-creation and the habit of folk music that people borrow musical structures from a shared tradition and taking ideas from a shared pool of multipliers without concern for ownership. A climate of sharing and giving leads to mass innovation often with an individual touch and not mass production.

With this in mind it is interesting to watch the development of the new Global Jukebox project, a tremendous collection of field recordings, of Alan Lomax. The folklorist’s archive of 17.000 field recordings will begin to stream for free very soon, including music from Britain, Ireland, the US, the Caribbean and the former USSR.

Global Jukebox - Alan Lomax

Although Lomax’s name is not as well known as some of the musicians he helped discover, e.g. Woody Guthrie, his work continues to have an enormous influence. For example the soundtrack of the film O Brother, where art thou? is using samples from Lomax. He introduced Pete Seeger to The Lion Sleeps Tonight, recorded Vera Hall’s Trouble So Hard (made famous by Moby), and his recordings will even be featured on Bruce Springsteen’s forthcoming album, Wrecking Ball.

Besides the popularity to use this material for other musical inspiration it is also interesting to get more information on the system and categorization of the material. Lomax is talking about ‘cantometrics’, the term refers to a system for the measurement of singing style, like blue notes and sounds of animals.  The system was also applicable for pop music and he also developed ‘choreometrics’ for dancing and ‘parlametrics’ for speech.
The principles of ‘cantometrics’ are used in the Music Genome Project of Pandora.com a new automated music recommendation service comparable to last.fm and spotify.com

More info:
YouTube Channel:  http://www.youtube.com/user/AlanLomaxArchive/
Research:  http://research.culturalequity.org/


Selected TED Talks on Music Thinking

Here is a selection of different TED talks. All of them use Music and Music Thinking in one or the other way. From psychology, to emotion, to technique – get inspired by this amount of musical presentations.

Schizophrenic violin lesson

Robert Gupta, violinist with the LA Philharmonic, talks about a violin lesson he once gave to a brilliant, schizophrenic musician — and what he learned.

Making Mistakes and Prototyping

What is a mistake? By talking through examples with his improvisational Jazz quartet, Stefon Harris walks us to a profound truth: many actions are perceived as mistakes only because we don’t react to them appropriately.

Imagination, Emotion and New Experiences

Benjamin Zander has two infectious passions: classical music, and helping us all realize our untapped love for it — and by extension, our untapped love for all new possibilities, new experiences, new connections. With a great exercise on Imagination and Emotion with Chopin.

Music Psychology and Soundscapes


Playing sound effects both pleasant and awful, Julian Treasure shows how sound affects us in four significant ways. Listen carefully for a shocking fact about noisy open-plan offices.

Research on the Brain and Music

Musician and researcher Charles Limb wondered how the brain works during musical improvisation — so he put jazz musicians and rappers in an fMRI to find out. What he and his team found has deep implications for our understanding of creativity of all kinds.

Trust and Examples from the World

Conductor Charles Hazlewood talks about the role of trust in musical leadership — then shows how it works, as he conducts the Scottish Ensemble onstage. He also shares clips from two musical projects: the opera “U-Carmen eKhayelitsha” and the ParaOrchestra.

Music and emotion through time

The composer Michael Tilson Thomas  traces the development of classical music through the score, the record, and the remix.

Live Looping, Improvisation, ‘gestural” Sound Design

Musician and inventor Onyx Ashanti demonstrates “beatjazz” — his music created with two handheld controllers, an iPhone and a mouthpiece, and played with the entire body. At TED’s Full Spectrum Auditions, after locking in his beats and loops, he plays a 3-minute song that shares his vision for the future of music.

The is another one I can’t embed: José Bowen: Beethoven the businessman. José Bowen outlines how new printing technology and an improved piano gave rise to the first music industry and influenced a generation of composers. Note: you should also read the comments.

On the TED website you can find more examples when you search for the Tag music (there is no music thinking tag yet!).