Tag Archives: Music thinking

The Music Thinking Framework for iteration, innovation and transformation

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In my practice of many years as a Creative Director, User Experience Lead, Service Designer, Design Thinking Coach, Change Maker  – or in summary as I call it ‘Creative Companion’ – I recognized a couple of things in the organizations and clients I worked for:

  • organizations are in need of solutions for challenges they don’t know yet
  • management is often focussing on ‘the one’ solution for their complex problems
  • organizations are organized and focused in silos and lack interfacing expertise to connect the dots
  • people often don’t understand the impact of their decisions on the whole
  • people are busy to develop an ‘end state’, instead of changing their mindset to an iterative approach to change
  • sometimes people use musical terms when talking about action and collaboration, like: ‘let’s have a jam session about this’, ‘we should orchestrate this idea’, ‘we need a great conductor to lead the organization’, …

The last thing is not really surprising because musicians are natural collaborators and trained to work together in different constellations to perform a time-based experience. And this goes far beyond than just being on stage. This needs sometimes years of preparation, daily exercises and daily collaboration with a multitude of people to excel in a performance in front of a critical audience. Think about a jazz musician who acts as a teacher, a sideman, a leader of his own band, or as studio musician, or member of a big band or an orchestra in a total different genre.  

Although I have no single solution on the raised questions above, I developed a framework that helps me to navigate these questions and make integrated decisions. Disclosure: this is not about music. The Music Thinking Framework is based on principles and learnings from my experiences and perspectives in music and the translation of these findings and patterns to the practice of a Creative Companion. The Music Thinking Framework has different parts: steps, dynamics, cues and instruments.

 

The Four Music Thinking Steps

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The four steps LISTEN, TUNE, PLAY and PERFORM are surrounded by repeat marks, this means that it is a repeated pattern (and may never stop).

LISTEN stands for the openness to information with the focus on empathy beyond just understanding. Everything can be relevant in this step and should not be scoped out.

What is special: The Listen step is actually a timeline through all the steps. This means in every step you have to be open for information and should be capable to process it.

TUNE stands for making decisions based on clear guiding principles. LISTEN and TUNE together are two steps of the challenge space. It depends on the dynamics of the organization and project how much you can open up the listening and how many decisions you have to make.

PLAY is the first step of the solution space and has the function to open up again and bring in new perspectives, more ideas and deeper exploration. The difference here is, they will be judged by the decisions made in the TUNE step.

So the choices that have to be made in the PERFORM step are based on everything that has been done before. In time based art, there is no way back, you have to deliver. It is like standing on the stage, the audience is ready and you have to deliver what you have, no excuses. But if you have not opened up in the LISTEN step your first performance will be a risk, like going on stage unprepared and unexperienced.

 

The Six Music Thinking Cues

A musical cue is a section of a piece of music that’s intended to signal the time for a performer to carry out a certain action. A cue can also be given by a band member or conductor as a prompt to start or sync the playing. I realized in my practice while working on the intersection of business, people and technology that it would be nice to have some cues to take immediate action. I experienced many times that the following six cues work very well in business situations:

  1. JAMMIN’ the cue to get more creativity, more (crazy) ideas and information, data from all kinds of sources.
  2. EMPATHY the cue to see with the eyes of your customer, empathize with them and search for insights that matter.
  3. PERSONALITY the cue to work from the heart of your organization; from your why and your brand values to the holding space you provide for your stakeholders.
  4. SCORE the cue to visualize your decisions in the way that everyone has a ‘lead sheet’ of how we operate.
  5. AGILITY the cue to decide how to work together in which constellations.
  6. REMIX the cue to getting it all together under the given circumstances based on the other cues.

music-thinking-framework-cues

The Cues are more or less connected with each other and appear in a certain step. However it is possible that some cues can change their place, for example JAMMIN’ has often the role of ideation in a Service Design Thinking project. For a new project or assignment there are three intro points that make a good start for a collaboration.

A: Creativity – the organization is in need for new diverse ideas.
B: Service Design – the organization is in need for relevant ideas.
C: Organization –  the organization is in need for a new purpose or position.

So the ideal situation is to focus on the challenge space first and then on the solution space. However most organizations see their problems in the solution space, or have not the awareness that their real problems are in the challenge space. The most important thing is to start on the now and get into the loop to create awareness for the long now when there is time to see the big picture.

 

The Music Thinking Dynamics

I thought about how the steps above would behave in different music styles. I call this dynamics; it means that the same steps behave different when played in a different style.

In classical music there are clear steps where mostly one composer is developing his idea from the many possibilities until he gets to PLAY with the first rehearsals and may fine-tune the piece until performed. This follows the steps you see below. One step further would be a pop production where in the studio the different steps overlap and LISTEN, TUNE, PLAY, PERFORM are more or less happening at the same time. The producer or – in a live situation the DJ – is getting more influence and the focus is on the REMIX, but the genre is clearly set (SCORE) and the material is thoroughly chosen before (TUNE).

In a typical rock band like U2, you would find a lot of PLAY. The steps LISTEN and TUNE are developed over the years and are clear to all the members, so the main point is on collaborating in the PLAY that overlaps with PERFORM.

In Jazz or even more in Free Jazz we talk about instant composing. LISTEN, TUNE, PLAY, PERFORM are done live on the stage at the same time, based on quick mutual understanding, deep listening and experience from playing with many different people and constellations (between duo and tentet).

music-thinking-dynamics

 

The ideal picture of the four steps has its dynamics in the real world. Most companies are not used to separate the challenge from the solution space, with the effect that there is a fuzzy challenge and many ideas on how to solve it, until there is the realization that they are very effectively solving the wrong problems. It is like working effectively with a scrum team in time and budget, but not solving the problem of a real client.

In essence they are organized like a Free Jazz Band without the understanding and experience and try to make changes like an orchestra conductor or DJ.

As a Creative Companion or Music Thinker it is essential to understand in what constellation the organization is playing. You have to listen deeply and start with the right cue to help the organization to make the steps from iteration to innovation and transformation.

 

The Music Thinking Instruments

Actually this is a collection of tools, methodologies and canvases I am using and recommending. But there are many more. With the exception of the Company Real Score and the Persona Core Poster these tools have been developed by smart minds like Simon Sinek, Otto Scharmer, Alex Osterwalder or Tim Brown. What I have done here is to collect and cluster them to the Music Thinking Cues in the way I think they are helpful. 


* Most of the instruments can be used to ‘create choices’ (diverge) and to ‘make choices’ (converge). ** This is a selection of typical instruments, but there are many more.

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A Mentality in meaningful collaboration

For me Music Thinking gives an extra dimension to other approaches and methodologies and can be easily combined.

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“Music Thinking is the quest for the ultimate remix of Empathy & Strategy, Innovation & Tradition, Plan & Performance, Thoughtfulness & Playfulness, Inspiration & Transpiration, Business & the Arts. But first of all it is a mentality in meaningful collaboration.”  

Christof Zürn

 

Download

 

Some older articles on Music Thinking on this blog

or see MusicThinking.com for more inspiration

Connecting Business, People and Technology from ‘Best of Dutch Design’ in Discover Benelux Magazine September 2015

A few weeks ago I had the opportunity to give an interview about my company CREATIVE COMPANION. You can find the results of this talk in the September Issue of Discover Benelux in the section ‘Best of Dutch Design’.

CREATIVE COMPANION  on page 29:

CREATIVE COMPANION - Discover Benelux - Best of Dutch Design

Quote:
I work like a jazz musician: great music comes from great collaboration! Christof Zürn

What do you think? – A questionnaire about Music Thinking

Music Thinking Survey
As a good Music Thinker I would like to learn more about my audience. It would be great if you could fill in a little questionnaire.
When I am doing workshops or presentations about Music Thinking I also ask the audience to fill in this short questionnaire before the presentation, so I can share some insights with them during the session.
Please fill in the questionnaire
It only takes a few minutes, the answers are anonymous and help me to understand more about the young field of Music Thinking and to collect my own data about this field. Insights and learnings will be presented from time to time on this blog.
thanks in advance
Christof Zürn

Google is using music thinking to promote YouTube with insights and infographics | #EDM #MusicThinking

EDM electronic dance music the-biggest-music-genre-youve-never-heard-of_infographics_lg

Think with Google the research and insights portal of Google posted a new article using music (in this case EDM electronic dans music) to show their compelling data and drive brands to YouTube to connect with their audience. They do this with a very nice infographic in the form of a decision tree.

The Biggest Music Genre You’ve Never Heard Of

How much do you know about EDM, or electronic dance music? Whether it’s a lot, a little or none at all, you’ll want to tune in to this profile of EDM fans. What you see might just surprise you: For example, while millennials under 25 view the most EDM content on YouTube, older audiences are becoming increasingly interested as well. And it turns out that EDM fans are more likely than their peers to be online, engaging in tech-savvy behaviors such as buying music online or following a brand on a social network. See how fans are increasingly turning to YouTube to learn more about music genres such as EDM and the opportunities this creates for brands.

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Download PDF: EDM electronic dance music

This is a nice example of Music Thinking

Oh what a year – Thank you 2014!

thankYou2014!

This was a year with many faces and to summarize these 12 months in one sentence would be something like this: a Year of Empathy, Collaboration, Music Thinking and Brand Development from a Service Design point of view.

For the fashion brand Olsen in Hamburg (Germany) I developed and designed the reality persona’s, based on research in Canada and Germany. We also worked with my brand strategy framework The Company Real Score to map the most essential brand assets as input for the brand deck.

The Übersee-Museum in Bremen (Germany) asked me to do a persona workshop with information on a one year visitors research to make strategic decisions.

Together with Design Thinkers Academy I developed a one day course of Service Design Thinking Fundamentals, a crash course with the basic instruments like stakeholder mapping, value network mapping, persona and customer journey. The next course will be in march 2015.

A sonic branding project: Massive Music in Amsterdam (Netherlands) asked me to help the team with my expertise in musicology and brand strategy. A nice combination of skills.

But there were more music and brand related activities: this year I started in Nijmegen (Netherlands) with a 20×20 (pecha kucha) presentation about Music Thinking and the platform MusicThinking.com, followed by a presentation in Cologne (Germany) about the same subject.
Together with Lutz Hempel from ICG, I did a short Music Thinking exercise during the ICG Change Management Seminar in Düsseldorf (Germany) and a full Music Thinking / Jazz it! workshop presentation in Copenhagen (Denmark) during the Art of Management in Organization conference.

For Bovemij I did the keynote presentation on their connect event in Utrecht. I showed the development of the last 30 years in the music business and how this connects with the challenges of the world we are living in today. The event was organized by my network partner Gerard Scheenstra of Innovatie Vitamine.

With my friend and network partner from the Witten School of Management Stefan Günther I did a workshop based on agile project management for Heraeus in Hanau (Germany); we also advised the board in taking steps towards a scrum framework. For Simon Weber and Friends, Berlin (Germany) I facilitated the alumni meeting with 150 people in Berlin with 10 iPads for the workshop presentations and created the Systemiker-Map  to visualize the region they work and their expertise.

The Efteling – the Dutch love brand number one – asked me to help them translate their massive research activities in a decision making instrument for a better way of collaboration between marketing and design. We worked with reality personas based on a big amount of research data and also worked with the design team on aspirational personas to strengthen the brand perspective in daily decisions. I did the design of the reality personas and all workshops and work sessions with the creative team and strategic marketing.

For De Rechtspraak in Utrecht (the Dutch Judiciary / Council for the Judiciary) I worked as UX Lead on a quality and innovation project about digital accessibility with a user-centered design approach to let different parties work together in building a user interface with a great user experience. Here are some steps we took: defining ux principles, persona development, customer journey mapping, facilitating creatives and management, usability testing.

Thanks a lot to everyone who made this year a fantastic and pleasurable time. I enjoyed to work with you together and I am looking forward to a very nice next encounter.